"The trailer for Snowpiercer is nuts" — DIGG
"Quite an excellent trailer" — SCREENRANT
Trailer edited in collaboration with JD Funari
"The Best Movie Trailers of 2014 - #7" — SCREENCRUSH.
KEY ART AWARD WINNER: BEST TRAILER (BRONZE)
"One word comes to mind watching the first trailer for Captain Phillips: Intense." — SLASHFILM
"One of the best trailers of the year... the editing is near perfect." — CINELINX
"Top 10 Trailers of 2010 - #3" — COLLIDER
"Best Trailers of 2010 - #4" — EMPIREONLINE
"A near perfectly tuned trailer" — PASTE MAGAZINE
Additional editing by Zach Pentoney
GOLDEN TRAILER NOMINEE: BEST DOCUMENTARY TRAILER
"A common complaint people have is that this trailer is better than the movie." — SOUND & PICTURE, "Top 10 Movie Trailers – A Trailer Editor’s Perspective"
KEY ART AWARD NOMINEE
GOLDEN TRAILER AWARD WINNER
"Top 10 Trailers of 2009 - #4" — SLASHFILM
"Matt Damon's Green Zone: Bad title, awesome trailer" — ENTERTAINMENT WEEKLY
GOLDEN TRAILER NOMINEE: BEST COMEDY TRAILER
GOLDEN TRAILER NOMINEE: MOST ORIGINAL FOREIGN TRAILER
"An expertly crafted trailer" — MTV
Edited in collaboration with Chad Misner
GOLDEN TRAILER NOMINEE: MOST ORIGINAL FOREIGN TRAILER
"100 Best Trailers of 2008 - #22" — JOBLO
"Top 10 Movie Trailers of 2011 - #10" — TIME
"The trailer is all high-watt charm from the two leads, or an attempt to deliver some, at least." — SLASHFILM
"Full disclosure: even the trailer made us a little teary-eyed." — HUFFINGTON POST
"Trailer Face-Off! Winner - Ai Weiwei: Never Sorry" — INTERVIEW MAGAZINE
"Manages to highlight both the human drama and timeliness of its story" — HUFFINGTON POST
Edited in collaboration with Dylan O'Neil
"Their affair may be doomed, but the trailer for Trishna is quite pretty" — SLASHFILM
"I definitely do like this new red band trailer, which pokes fun at the whole red band trend by pointing out the reasons why we like to watch these foul-mouthed, R-rated promos in the first place." — MOVIEFONE
"If you were to view the trailer of Saint John of Las Vegas, it would probably look like a good time." — ROGER EBERT
Edited in collaboration with Oreet Rees and Mark Woollen
Graphics by Greg Brotherton
